Artem Matyushkin,
designer & art director
Artem Matyushkin,
designer & art director
1.1
1.1
Artem Matyushkin,
designer & art director
1.1
A hand-drawn portrait, pic. 1.
A hand-drawn portrait, pic. 1.
1.2
1.2
A hand-drawn portrait, pic. 1.
1.2
2.
2.
Introduction
Introduction
2.
Introduction
Artem Matyushkin is an art director & graphic designer with over 13 years of experience in design, branding, strategy, and communications. In 2020, he founded and currently runs a studio Non-Objective, where he translates ideas into different conceptual and visual languages.
Artem Matyushkin is an art director & graphic designer with over 13 years of experience in design, branding, strategy, and communications. In 2020, he founded and currently runs a studio Non-Objective, where he translates ideas into different conceptual and visual languages.
2.1
2.1
Artem Matyushkin is an art director & graphic designer with over 13 years of experience in design, branding, strategy, & communications. In 2020, he founded and currently runs a studio Non-Objective, where he translates ideas into different conceptual and visual languages.
2.1
Previously based in New York, Moscow, and Saint Petersburg, he now frequently travels among Seoul, Tokyo, Tbilisi, and Paris.
Previously based in New York, Moscow, and Saint Petersburg, he now frequently travels among Seoul, Tokyo, Tbilisi, and Paris.
2.2
2.2
Previously based in New York, Moscow, and Saint Petersburg, he now frequently travels among Seoul, Tokyo, Tbilisi, and Paris.
2.2
As a person who was born in Moscow (Russia) and brought up in Chernihiv (Ukraine), and as a person who believes in universal human values and cannot see no justification for any violence, Artem stands against the war.
As a person who was born in Moscow (Russia) and brought up in Chernihiv (Ukraine), and as a person who believes in universal human values and cannot see no justification for any violence, Artem stands against the war.
2.3
2.3
As a person who was born in Moscow (Russia) and brought up in Chernihiv (Ukraine), and as a person who believes in universal human values and cannot see no justification for any violence, Artem stands against the war.
2.3
You can get in touch by email, instagram or telegram. For any new commissions, please contact hello@non-objective.works.
You can get in touch by email, instagram or telegram. For any new commissions, please contact hello@non-objective.works.
2.4
2.4
You can get in touch by email, instagram or telegram. For any new commissions, please contact hello@non-objective.works.
2.4
3.
3.
Ideology & Approach
Ideology & Approach
3.
Ideology & Approach
A vital aspect of Artem’s design and teaching practice is reflecting on the potential of design, the values it can embody, and the role of the designer.
A vital aspect of Artem’s design and teaching practice is reflecting on the potential of design, the values it can embody, and the role of the designer.
3.1
3.1
A vital aspect of Artem’s design and teaching practice is reflecting on the potential of design, the values it can embody, and the role of the designer.
3.1
He is exploring various approaches to create new contexts where design goes beyond being a functional tool for decoration. Instead, it becomes a means of storytelling, creating meanings, building communities, and shifting worldviews.
He is exploring various approaches to create new contexts where design goes beyond being a functional tool for decoration. Instead, it becomes a means of storytelling, creating meanings, building communities, and shifting worldviews.
3.1.1
3.1.1
He is exploring various approaches to create new contexts where design goes beyond being a functional tool for decoration. Instead, it becomes a means of storytelling, creating meanings, building communities, and shifting worldviews.
3.1.1
With a strong belief that design is more than just visuals, Artem sees it as a way of thinking. Design is a framework that one uses to research context, structure information, and create a vision.
With a strong belief that design is more than just visuals, Artem sees it as a way of thinking. Design is a framework that one uses to research context, structure information, and create a vision.
3.2
3.2
With a strong belief that design is more than just visuals, Artem sees it as a way of thinking. Design is a framework that one uses to research context, structure information, and create a vision.
3.2
Vision is later translated into various forms such as concepts, branding, architecture, visual identity, strategy, photography, objects, etc.
Vision is later translated into various forms such as concepts, branding, architecture, visual identity, strategy, photography, objects, etc.
3.2.1
3.2.1
Vision is later translated into various forms such as concepts, branding, architecture, visual identity, strategy, photography, objects, etc.
3.2.1
The main criteria for “good” design are its relevance to the context and the integrity of the vision, that means that all elements should align and match the context of each other.
The main criteria for “good” design are its relevance to the context and the integrity of the vision, that means that all elements should align and match the context of each other.
3.2.2
3.2.2
The main criteria for “good” design are its relevance to the context and the integrity of the vision, that means that all elements should align and match the context of each other.
3.2.2
Artem also believes that designers should strive to create projects that can influence contemporary visual culture. Design has the power to change the way people perceive the world, not only at the global brand level but also at the local level.
Artem also believes that designers should strive to create projects that can influence contemporary visual culture. Design has the power to change the way people perceive the world, not only at the global brand level but also at the local level.
3.3
3.3
Artem also believes that designers should strive to create projects that can influence contemporary visual culture. Design has the power to change the way people perceive the world, not only at the global brand level but also at the local level.
3.3
The scale of this influence doesn’t matter. It can never be too small, even if it is just one person whose perception was changed.
The scale of this influence doesn’t matter. It can never be too small, even if it is just one person whose perception was changed.
3.3.1
3.3.1
The scale of this influence doesn’t matter. It can never be too small, even if it is just one person whose perception was changed.
3.3.1
Projects for everyday life, cultural institutions, and research projects play an important role in the practice of Non-Objective, as they broaden people’s perspectives of modern culture. By collaborating with these partners, the studio aims to subtly introduce new viewpoints. Altering the visual environment can also influence worldviews.
Projects for everyday life, cultural institutions, and research projects play an important role in the practice of Non-Objective, as they broaden people’s perspectives of modern culture. By collaborating with these partners, the studio aims to subtly introduce new viewpoints. Altering the visual environment can also influence worldviews.
3.3.2
3.3.2
Projects for everyday life, cultural institutions, and research projects play an important role in the practice of Non-Objective, as they broaden people’s perspectives of modern culture. By collaborating with these partners, the studio aims to subtly introduce new viewpoints. Altering the visual environment can also influence worldviews.
3.3.2
4.
4.
Subject matter
Subject matter
4.
Subject matter
Artem’s field of research and spheres of interest include, among others, irrationality, contrasts, meanings & contexts, non-objectivity (of course), repetition, linguistics and languages, everydayness, time, uniforms, conceptual art, curatorial approach to everything, shifting patterns, duality, archiving, otherness, humor & irony, micro typography, semantics, cultural differences and similarities, rhythm, abstraction, shades of black, subtlety, technical graphics, rhymes, unexpected beauty, details, Modernism, instructions, synthetic sounds, and blue (and IKB in particular).
Artem’s field of research and spheres of interest include, among others, irrationality, contrasts, meanings & contexts, non-objectivity (of course), repetition, linguistics and languages, everydayness, time, uniforms, conceptual art, curatorial approach to everything, shifting patterns, duality, archiving, otherness, humor & irony, micro typography, semantics, cultural differences and similarities, rhythm, abstraction, shades of black, subtlety, technical graphics, rhymes, unexpected beauty, details, Modernism, instructions, synthetic sounds, and blue (and IKB in particular).
4.1
4.1
Artem’s field of research and spheres of interest include, among others, irrationality, contrasts, meanings & contexts, non-objectivity (of course), repetition, linguistics and languages, everydayness, time, uniforms, conceptual art, curatorial approach to everything, shifting patterns, duality, archiving, otherness, humor & irony, micro typography, semantics, cultural differences and similarities, rhythm, abstraction, shades of black, subtlety, technical graphics, rhymes, unexpected beauty, details, Modernism, instructions, synthetic sounds, and blue (and IKB in particular).
4.1
5.
5.
Influences & Teachers
Influences & Teachers
5.
Influences & Teachers
Artem’s practice and vision would not be what they are without the significant influences of Sol Lewitt, John Baldessari, Marcel Duchamp, Donald Judd, Nas, Josef Albers, Jan Jelinek*, Lawrence Weiner, OK-RM, Yves Klein, Tadao Ando, Theo Parrish, Carl Andre, Sarah-Linh Tran and Christophe Lemaire, Actual Source, A Tribe Called Quest, Karl Nawrot, Landon Metz, Yuri Albert, Raf Simons, Gost Zvuk, Jim Jarmusch, Susan Sontag, Krovostok, Paolo Sorrentino, Pierre Jorge Gonzalez and Judith Haase, Cities Aviv, Experimental Jetset, Timur Novikov, Marcel Breuer, Fernando Pessoa, Pesochnye Lyudi, Walter Benjamin, Erykah Badu, Harald Szeemann, Anne Holtrop, Jop van Bennekom, Boris Groys, and many others.
Artem’s practice and vision would not be what they are without the significant influences of Sol Lewitt, John Baldessari, Marcel Duchamp, Donald Judd, Nas, Josef Albers, Jan Jelinek*, Lawrence Weiner, OK-RM, Yves Klein, Tadao Ando, Theo Parrish, Carl Andre, Sarah-Linh Tran and Christophe Lemaire, Actual Source, A Tribe Called Quest, Karl Nawrot, Landon Metz, Yuri Albert, Raf Simons, Gost Zvuk, Jim Jarmusch, Susan Sontag, Krovostok, Paolo Sorrentino, Pierre Jorge Gonzalez and Judith Haase, Cities Aviv, Experimental Jetset, Timur Novikov, Marcel Breuer, Fernando Pessoa, Pesochnye Lyudi, Walter Benjamin, Erykah Badu, Harald Szeemann, Anne Holtrop, Jop van Bennekom, Boris Groys, and many others.
5.1
5.1
Artem’s practice and vision would not be what they are without the significant influences of Sol Lewitt, John Baldessari, Marcel Duchamp, Donald Judd, Nas, Josef Albers, Jan Jelinek*, Lawrence Weiner, OK-RM, Yves Klein, Tadao Ando, Theo Parrish, Carl Andre, Sarah-Linh Tran and Christophe Lemaire, Actual Source, A Tribe Called Quest, Karl Nawrot, Landon Metz, Yuri Albert, Raf Simons, Gost Zvuk, Jim Jarmusch, Susan Sontag, Krovostok, Paolo Sorrentino, Pierre Jorge Gonzalez and Judith Haase, Cities Aviv, Experimental Jetset, Timur Novikov, Marcel Breuer, Fernando Pessoa, Pesochnye Lyudi, Walter Benjamin, Erykah Badu, Harald Szeemann, Anne Holtrop, Jop van Bennekom, Boris Groys, and many others.
5.1
He is also very thankful to all the teachers he has had in his lifetime: his grandmother and grandfather, parents, friends & teammates, Katya Sikacheva, Vasya Bykov, Fernando Gomez, Misha Smetana, Zarema Dadaeva, Holystick.
5.2
He is also very thankful to all the teachers he has had in his lifetime: his grandmother and grandfather, parents, friends & teammates, Katya Sikacheva, Vasya Bykov, Fernando Gomez, Misha Smetana, Zarema Dadaeva, Holystick.
He is also very thankful to all the teachers he has had in his lifetime: his grandmother and grandfather, parents, friends & teammates, Katya Sikacheva, Vasya Bykov, Fernando Gomez, Misha Smetana, Zarema Dadaeva, Holystick.
5.2
5.2
(5.1)*
Artem wants his design to look the way Farben’s “Textstar” sounds.
(5.1)*
(5.1)*
Artem wants his design to look the way Farben’s “Textstar” sounds.
Artem wants his design to look the way Farben’s “Textstar” sounds.
6.
Work & Non-Objective
6.
6.
Work & Non-Objective
Work & Non-Objective
Currently, Artem is running a studio called Non-Objective, which he founded in 2020. The studio focuses on design in its widest sense.
6.1
Currently, Artem is running a studio called Non-Objective, which he founded in 2020. The studio focuses on design in its widest sense.
Currently, Artem is running a studio called Non-Objective, which he founded in 2020. The studio focuses on design in its widest sense.
6.1
6.1
Working with an amazing team, they’re doing projects for a diverse range of international clients in cultural, educational, social, and media spheres. They work with both niche and mass brands, but always prioritize those who share their ethical and aesthetic values. They engage in continuous dialogue with their partners and prefer collaborative projects over commissioned ones.
6.2
Working with an amazing team, they’re doing projects for a diverse range of international clients in cultural, educational, social, and media spheres. They work with both niche and mass brands, but always prioritize those who share their ethical and aesthetic values. They engage in continuous dialogue with their partners and prefer collaborative projects over commissioned ones.
Working with an amazing team, they’re doing projects for a diverse range of international clients in cultural, educational, social, and media spheres. They work with both niche and mass brands, but always prioritize those who share their ethical and aesthetic values. They engage in continuous dialogue with their partners and prefer collaborative projects over commissioned ones.
6.2
6.2
Recent projects* include the identity for the 20-year anniversary of the British Higher School of Art & Design; rebranding of the FOAM beauty store; identities for the Inloco Foundation & Gallery and Street Art Storage; rebranding of the furniture concept store & gallery Space Four and its sub-brands; and identity, conceptual & visual assistance, and exhibition curation for the contemporary design space Koordinata.
6.3.1
Recent projects* include the identity for the 20-year anniversary of the British Higher School of Art & Design; rebranding of the FOAM beauty store; identities for the Inloco Foundation & Gallery and Street Art Storage; rebranding of the furniture concept store & gallery Space Four and its sub-brands; and identity, conceptual & visual assistance, and exhibition curation for the contemporary design space Koordinata.
Recent projects* include the identity for the 20-year anniversary of the British Higher School of Art & Design; rebranding of the FOAM beauty store; identities for the Inloco Foundation & Gallery and Street Art Storage; rebranding of the furniture concept store & gallery Space Four and its sub-brands; and identity, conceptual & visual assistance, and exhibition curation for the contemporary design space Koordinata.
6.3.1
6.3.1
Other notable projects were full-scale rebranding, identity & website for (SPUTNIK); rebranding of the eyewear brand RADIUS 58; identity update and website redesign for science media N + 1; digital installation “Non-Objective Nature of Time”; instagram takeover for Type Today; long-term work with Makhachkala Museum; consulting for a couple of art institutions of various scale; and creating never-ending typographic covers for the show Studio 96, and so much more.
6.3.2
Other notable projects were full-scale rebranding, identity & website for (SPUTNIK); rebranding of the eyewear brand RADIUS 58; identity update and website redesign for science media N + 1; digital installation “Non-Objective Nature of Time”; instagram takeover for Type Today; long-term work with Makhachkala Museum; consulting for a couple of art institutions of various scale; and creating never-ending typographic covers for the show Studio 96, and so much more.
Other notable projects were full-scale rebranding, identity & website for (SPUTNIK); rebranding of the eyewear brand RADIUS 58; identity update and website redesign for science media N + 1; digital installation “Non-Objective Nature of Time”; instagram takeover for Type Today; long-term work with Makhachkala Museum; consulting for a couple of art institutions of various scale; and creating never-ending typographic covers for the show Studio 96, and so much more.
6.3.2
6.3.2
7.
Previous experience
All the projects Artem is working on are done within his studio and with his team. For the full archive & images please head to the Non-Objective website.
All the projects Artem is working on are done within his studio and with his team. For the full archive & images please head to the Non-Objective website.
(6.3.2)*
(6.3.2)*
Before launching his own studio in 2020, Artem was an art director at Tsentsiper. He also co-founded and ran a New York-based design studio, FIGURA④, with Carlota Pastor. Additionally, he worked as an art and design director with Dover Street Market, MoMA, SSENSE, Totokaelo, Sagmeister & Walsh, as well as various galleries, museums, artists, brands, and agencies.
7.1
7.
7.
Previous experience
Previous experience
Before launching his own studio in 2020, Artem was an art director at Tsentsiper. He also co-founded and ran a New York-based design studio, FIGURA④, with Carlota Pastor. Additionally, he worked as an art and design director with Dover Street Market, MoMA, SSENSE, Totokaelo, Sagmeister & Walsh, as well as various galleries, museums, artists, brands, and agencies.
Before launching his own studio in 2020, Artem was an art director at Tsentsiper. He also co-founded and ran a New York-based design studio, FIGURA④, with Carlota Pastor. Additionally, he worked as an art and design director with Dover Street Market, MoMA, SSENSE, Totokaelo, Sagmeister & Walsh, as well as various galleries, museums, artists, brands, and agencies.
7.1
7.1
Besides a studio practice of Non-Objective, he was an art director at a production company PINERY. Previously he was a creative director at (SPUTNIK) and art director at Makhachkala Museum, podcast studio Libo/Libo, Slish festival. He also has a 4-years long experience of designing media projects: he was an art director at Koordinat and Offsome Magazine.
7.2
Besides a studio practice of Non-Objective, he was an art director at a production company PINERY. Previously he was a creative director at (SPUTNIK) and art director at Makhachkala Museum, podcast studio Libo/Libo, Slish festival. He also has a 4-years long experience of designing media projects: he was an art director at Koordinat and Offsome Magazine.
Besides a studio practice of Non-Objective, he was an art director at a production company PINERY. Previously he was a creative director at (SPUTNIK) and art director at Makhachkala Museum, podcast studio Libo/Libo, Slish festival. He also has a 4-years long experience of designing media projects: he was an art director at Koordinat and Offsome Magazine.
7.2
7.2
Before that he’d been working in advertising, PR and media at various companies like Condé Nast, Strelka Institute for Media, Architecture & Design, and a newspaper RBC Daily.
7.3
Before that he’d been working in advertising, PR and media at various companies like Condé Nast, Strelka Institute for Media, Architecture & Design, and a newspaper RBC Daily.
Before that he’d been working in advertising, PR and media at various companies like Condé Nast, Strelka Institute for Media, Architecture & Design, and a newspaper RBC Daily.
7.3
7.3
8.
Other projects
Besides a design studio practice, Artem is also deeply involved in various types of research and self-initiated projects. Recently he has been working on several projects:
8.1
8.
8.
Other projects
Other projects
In 2022, he co-founded Praxis(abc), an experimental project that explores repetition within the context of the contemporary wardrobe.
8.2.1
Besides a design studio practice, Artem is also deeply involved in various types of research and self-initiated projects. Recently he has been working on several projects:
Besides a design studio practice, Artem is also deeply involved in various types of research and self-initiated projects. Recently he has been working on several projects:
8.1
8.1
In 2022, Artem also founded 35KG, a curated library of beautifully designed books on design, art, architecture, and more. It all began with 35kg of books brought in a suitcase, and it has now grown to include over 400 books by renowned designers such as Kasper-Florio, Actual Source, Irma Boom, OK-RM, Mirko Borsche, Spassky Fischer, and others.
8.2.2
In 2022, he co-founded Praxis(abc), an experimental project that explores repetition within the context of the contemporary wardrobe.
In 2022, he co-founded Praxis(abc), an experimental project that explores repetition within the context of the contemporary wardrobe.
8.2.1
8.2.1
All the projects Artem is working on are done within his studio and with his team. For the full archive & images please head to the Non-Objective website.
(6.3.1)*
In 2022, Artem also founded 35KG, a curated library of beautifully designed books on design, art, architecture, and more. It all began with 35kg of books brought in a suitcase, and it has now grown to include over 400 books by renowned designers such as Kasper-Florio, Actual Source, Irma Boom, OK-RM, Mirko Borsche, Spassky Fischer, and others.
In 2022, Artem also founded 35KG, a curated library of beautifully designed books on design, art, architecture, and more. It all began with 35kg of books brought in a suitcase, and it has now grown to include over 400 books by renowned designers such as Kasper-Florio, Actual Source, Irma Boom, OK-RM, Mirko Borsche, Spassky Fischer, and others.
8.2.2
8.2.2
Since 2022, Artem has maintained a close collaboration with Koordinata, a contemporary design exhibition and research space. Artem provides consultation on brand and concept integrity, exhibition curation, and various strategic, design, and communication aspects.
8.2.3.1
Since 2022, Artem has maintained a close collaboration with Koordinata, a contemporary design exhibition and research space. Artem provides consultation on brand and concept integrity, exhibition curation, and various strategic, design, and communication aspects.
Since 2022, Artem has maintained a close collaboration with Koordinata, a contemporary design exhibition and research space. Artem provides consultation on brand and concept integrity, exhibition curation, and various strategic, design, and communication aspects.
8.2.3.1
8.2.3.1
The main goal of the space is cartography of contemporary design, documenting all the significant changes in visual culture and exploring the connections between its various domains. Within the framework of this project, research on graphic, industrial, interior, and fashion design takes completely different forms: from exhibitions and educational events to digital projects and printed publications.
8.2.3.2
The main goal of the space is cartography of contemporary design, documenting all the significant changes in visual culture and exploring the connections between its various domains. Within the framework of this project, research on graphic, industrial, interior, and fashion design takes completely different forms: from exhibitions and educational events to digital projects and printed publications.
The main goal of the space is cartography of contemporary design, documenting all the significant changes in visual culture and exploring the connections between its various domains. Within the framework of this project, research on graphic, industrial, interior, and fashion design takes completely different forms: from exhibitions and educational events to digital projects and printed publications.
8.2.3.2
8.2.3.2
Kvity Series is a slow floristic study conducted in close collaboration with Nastiia Kim and Katya Sikacheva.
8.2.4
Objectful is a visual research of coded values & sign languages within physical objects.
8.2.5
Kvity Series is a slow floristic study conducted in close collaboration with Nastiia Kim and Katya Sikacheva.
Kvity Series is a slow floristic study conducted in close collaboration with Nastiia Kim and Katya Sikacheva.
8.2.4
8.2.4
Office for Context Studies is a project aimed at exploring context, form & content through exhibitions, printed matter, and production of various objects.
8.2.6
8.2.5
8.2.5
9.
Teaching
Office for Context Studies is a project aimed at exploring context, form & content through exhibitions, printed matter, and production of various objects.
Office for Context Studies is a project aimed at exploring context, form & content through exhibitions, printed matter, and production of various objects.
8.2.6
8.2.6
Artem is fascinated with the idea of art and design education and wants to establish a dialogue with younger designers.
9.1
9.
9.
Teaching
Teaching
Trying to understand how it works (and if it works at all), he was a curator at HSE Art & Design School from 2021 to 2023, running a course on graphic design & branding.
9.2
Artem is fascinated with the idea of art and design education and wants to establish a dialogue with younger designers.
Artem is fascinated with the idea of art and design education and wants to establish a dialogue with younger designers.
9.1
9.1
In 2023, he started teaching his own course titled “Identity: from I to Y” at the new school Werkstatt.
9.3.1
Trying to understand how it works (and if it works at all), he was a curator at HSE Art & Design School from 2021 to 2023, running a course on graphic design & branding.
Trying to understand how it works (and if it works at all), he was a curator at HSE Art & Design School from 2021 to 2023, running a course on graphic design & branding.
9.2
9.2
In this course, he emphasizes that the work of a designer goes beyond creating beautiful visuals. It also requires the ability to communicate, ask questions, and build a dialogue.
9.3.2
In 2023, he started teaching his own course titled “Identity: from I to Y” at the new school Werkstatt.
In 2023, he started teaching his own course titled “Identity: from I to Y” at the new school Werkstatt.
9.3.1
9.3.1
Under the guidance of the curator, students experience the complete cycle of project development. This includes communication with clients for research, concept development, presentation, and ultimately adding a new case to their portfolio.
9.3.3
In this course, he emphasizes that the work of a designer goes beyond creating beautiful visuals. It also requires the ability to communicate, ask questions, and build a dialogue.
In this course, he emphasizes that the work of a designer goes beyond creating beautiful visuals. It also requires the ability to communicate, ask questions, and build a dialogue.
9.3.2
9.3.2
Under the guidance of the curator, students experience the complete cycle of project development. This includes communication with clients for research, concept development, presentation, and ultimately adding a new case to their portfolio.
Under the guidance of the curator, students experience the complete cycle of project development. This includes communication with clients for research, concept development, presentation, and ultimately adding a new case to their portfolio.
9.3.3
9.3.3
Besides working within formal design education, he also does workshops & lectures for other educational platforms like BBE, portfolio reviews at BHSAD, Werkstatt, and other schools.
9.4
Besides working within formal design education, he also does workshops & lectures for other educational platforms like BBE, portfolio reviews at BHSAD, Werkstatt, and other schools.
Besides working within formal design education, he also does workshops & lectures for other educational platforms like BBE, portfolio reviews at BHSAD, Werkstatt, and other schools.
9.4
9.4
Artem actively participates in portfolio reviews, guest lectures, and workshops, both offline and online. To discuss any opportunities, please get in touch via email.
9.5
As a career and design consultant at H by Budu, he also helps aspiring designers navigate the design market.
9.6
Artem actively participates in portfolio reviews, guest lectures, and workshops, both offline and online. To discuss any opportunities, please get in touch via email.
Artem actively participates in portfolio reviews, guest lectures, and workshops, both offline and online. To discuss any opportunities, please get in touch via email.
9.5
9.5
10.
Media & Exhibitions
9.6
9.6
Artem did some interviews & talks for Type Today, PAGE Magazine, Slish 2021, DesignCollector, Net Magazine, Tuda! Kuda? podcast, Naau Media.
10.1
10.
10.
Media & Exhibitions
Media & Exhibitions
His projects were featured in “On the Road to Variable: The Future of Type”, Type Today, Mindsparkle Mag, The Blueprint, Afisha Daily, BURO 24/7, Brutalist Websites, Slanted Magazine, AIGA Eye On Design, PAGE Magazine, DesignCollector, Klikkenthéke, Ads of the World, Net Magazine, Applied Arts Magazine.
10.2
Artem did some interviews & talks for Type Today, PAGE Magazine, Slish 2021, DesignCollector, Net Magazine, Tuda! Kuda? podcast, Naau Media.
Artem did some interviews & talks for Type Today, PAGE Magazine, Slish 2021, DesignCollector, Net Magazine, Tuda! Kuda? podcast, Naau Media.
10.1
10.1
His projects were featured in “On the Road to Variable: The Future of Type”, Type Today, Mindsparkle Mag, The Blueprint, Afisha Daily, BURO 24/7, Brutalist Websites, Slanted Magazine, AIGA Eye On Design, PAGE Magazine, DesignCollector, Klikkenthéke, Ads of the World, Net Magazine, Applied Arts Magazine.
His projects were featured in “On the Road to Variable: The Future of Type”, Type Today, Mindsparkle Mag, The Blueprint, Afisha Daily, BURO 24/7, Brutalist Websites, Slanted Magazine, AIGA Eye On Design, PAGE Magazine, DesignCollector, Klikkenthéke, Ads of the World, Net Magazine, Applied Arts Magazine.
10.2
10.2
His works were exhibited at “Space Embraces You” obdn × Danilovsky Market (Moscow, 2022), Oripeau (Nantes, 2020), Zeitgeist Magazine Digital Exhibition (online, 2019), PosterJam Offbeat Exhibition (Bucharest, 2019), Shukhov Lab Design Contest (Moscow, 2019), RANEPA Design School (Moscow, 2019), 15th International Poster Biennial (Mexico, 2018), Golden Bee (Moscow, 2018), Secret 7" (London, 2018), 5th Moscow Poster Competition (Moscow, 2018).
10.3
His works were exhibited at “Space Embraces You” obdn × Danilovsky Market (Moscow, 2022), Oripeau (Nantes, 2020), Zeitgeist Magazine Digital Exhibition (online, 2019), PosterJam Offbeat Exhibition (Bucharest, 2019), Shukhov Lab Design Contest (Moscow, 2019), RANEPA Design School (Moscow, 2019), 15th International Poster Biennial (Mexico, 2018), Golden Bee (Moscow, 2018), Secret 7" (London, 2018), 5th Moscow Poster Competition (Moscow, 2018).
His works were exhibited at “Space Embraces You” obdn × Danilovsky Market (Moscow, 2022), Oripeau (Nantes, 2020), Zeitgeist Magazine Digital Exhibition (online, 2019), PosterJam Offbeat Exhibition (Bucharest, 2019), Shukhov Lab Design Contest (Moscow, 2019), RANEPA Design School (Moscow, 2019), 15th International Poster Biennial (Mexico, 2018), Golden Bee (Moscow, 2018), Secret 7" (London, 2018), 5th Moscow Poster Competition (Moscow, 2018).
10.3
10.3
Artem’s projects gained international recognition from ADC (2018), NY Addys, Communication Arts, Awwwards, Summit International Awards, Applied Arts Awards, CSS Design Award.
10.4
Artem’s projects gained international recognition from ADC (2018), NY Addys, Communication Arts, Awwwards, Summit International Awards, Applied Arts Awards, CSS Design Award.
Artem’s projects gained international recognition from ADC (2018), NY Addys, Communication Arts, Awwwards, Summit International Awards, Applied Arts Awards, CSS Design Award.
10.4
10.4
He was in the jury for ADCR 2022. In 2019 he was a judge at G8 Festival of Creative Industries.
10.5
11.
Colophon
He was in the jury for ADCR 2022. In 2019 he was a judge at G8 Festival of Creative Industries.
He was in the jury for ADCR 2022. In 2019 he was a judge at G8 Festival of Creative Industries.
10.5
10.5
The whole website is just a lot of words, written by Artem Matyushkin and set in similar text blocks. And these words are visually interesting thanks to Dinamo’s ABC Gaisyr.
11.1
11.
11.
Colophon
Colophon
11.2
Pic. 1 (used in 1.2) is hand-drawn by Vanya Koltsov.
The whole website is just a lot of words, written by Artem Matyushkin and set in similar text blocks. And these words are visually interesting thanks to Dinamo’s ABC Gaisyr.
The whole website is just a lot of words, written by Artem Matyushkin and set in similar text blocks. And these words are visually interesting thanks to Dinamo’s ABC Gaisyr.
11.1
11.1
The website is made with Readymag in 2024. Its previous iteration can be found here.
11.3
11.2
11.2
One might wonder why there’s not a single work-related image on a designer’s website. It’s easy: design is much more than just pictures. Rephrasing John Baldessari, design should be seen as a way of thinking and structuring ideas, information, and, after all, visuals (see 3.2).
11.4
11.3
11.3
One might wonder why there’s not a single work-related image on a designer’s website. It’s easy: design is much more than just pictures. Rephrasing John Baldessari, design should be seen as a way of thinking and structuring ideas, information, and, after all, visuals (see 3.2).
One might wonder why there’s not a single work-related image on a designer’s website. It’s easy: design is much more than just pictures. Rephrasing John Baldessari, design should be seen as a way of thinking and structuring ideas, information, and, after all, visuals (see 3.2).
11.4
11.4
Artem’s portfolio is more than just a collection of works; it is a compilation of words. These words articulate his vision, principles, beliefs, and interests. They speak about him as a designer just as much as the pictures would do.
11.5
Artem’s portfolio is more than just a collection of works; it is a compilation of words. These words articulate his vision, principles, beliefs, and interests. They speak about him as a designer just as much as the pictures would do.
Artem’s portfolio is more than just a collection of works; it is a compilation of words. These words articulate his vision, principles, beliefs, and interests. They speak about him as a designer just as much as the pictures would do.
11.5
11.5
12.
Links & Info
Email at artem.matyushkin@gmail.com
12.1
12.
12.
Links & Info
Links & Info
12.2
12.1
12.1
© 2024 Artem Matyushkin
12.3
12.2
12.2
www.a-r-t-e-m.com, version 2
12.4
© 2024 Artem Matyushkin
© 2024 Artem Matyushkin
12.3
12.3
www.a-r-t-e-m.com, version 2
www.a-r-t-e-m.com, version 2
12.4
12.4
5850 pixels deep, 56 paragraphs long, temporary as always,
3500 pixels deep, 56 paragraphs long, temporary as always,
3500 pixels deep, 56 paragraphs long, temporary as always,